The book has four sections – Red, Black, Yellow, Green – all with different atmospheres and settings. It also has dense poetic texts on the different colours and scenes.
Large format, high quality paper.
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Every now and again, I can’t help myself including some references to DVDs, although this somewhat breaks the self-imposed limitations for the format of this blog (and limitations are surely necessary to keep some kind of quality, as well as limiting the time and effort put down on it). Anyway, this time I include some quick notes on Kinoko’s video-output, as this is a field where it seems he is currently expanding. Of course, I can in no way do them justice with my scribblings, but mainly want to catalogue them here for future reference (and as usual, to make them easier to search for).
For a long time, the only DVD I knew of with Kinoko’s rope-work was the documentary ”Nawa-shi” (縄師) from 2008 (top left on the first image above). It is a quite generous movie with interviews with Kinoko and some of the models, clips from shows, tutorials of some ties, and scenes from the club and other social contexts. (Directed by 広瀬陽, ASIN: B001EXGYJ8)
Since this DVD, there has of course also been made some more recent documentaries, such as the widely seen one by VICE, still available on the Internet: http://www.youtube.com/watch?v=FNSXNCaTYl0
In the Fall of 2014, Kinoko released the luxuriously set ”Kinbaku3” (緊縛3), where he ties the famous model Kawakami Yuu. The number 3 indicates that the DVD is part of a series (in ”Kinbaku 1”, Kawakami Yuu is tied by Naka Akira, and in ”Kinbaku 2”, she is tied by Yukimura Haruki). This DVD has been said to represent a public welcoming of sorts of Kinoko to the Kinbaku adult video-scene by putting him side by side with two older masters. I found it very interesting to observe how Kinoko’s tying here contains some clear influences of Yukimura’s and Naka’s (and indirectly Nureki’s, one could argue) styles, but at the same time keeps a very distinct identity in his subjectivity as a bakushi, with his dance-like awareness of his own movements, and the grace of his hands. (Sometimes the power and clarity of his touch makes me remember I read somewhere that Kinoko has training as a chiropractor). (Code: TNH-05)
In Spring 2015, the DVD ”Bakushi-Den 2” (縛師伝 2) was released, with Kinoko tying the model Kumire. This was part of an other high-profile series, this time with Yukimura acting as Director of the movies. Yukimura has a clear presence as an influence on the style of tying (this is, in my view, a VERY sexy movie). Yukimura is also stepping into the movie frame in the last scene, as a kind of a ”making-of”. (The first in this series, ”Bakushi-Den 1” (縛師伝 1), also directed by Yukimura, featured Osada Steve as the bakushi, Iroha Shizuki as the model.) (Code: AKHO-112)
Now, the latest DVD-release by Kinoko, late sumer 2015, is called ”Insomnia” (インソムニア), and features the model Nananano (the same as in the new book mentioned above). Again in a somewhat luxurious and costumey-style, the different scenes use different dramatic locations, sometimes with clear nudges to scenes done on film by earlier masters, while in every case staying distinctly original. (Code: VAN-001)
A deleuxe package of ten large Maeda prints on good paper, and a supplement of four postcards-sized images. Typical black&white with details in blood-red. Very limited edition to 300 numbered copies. This is number 236.
Minomura Kou was the editor of the Magazine ”Uramado” (裏窓) 1956-1962, after which Nureki took over, being the editor under the name ”Yu Fujimi” from 1962 until the magazine’s end in 1965. Hiroshi Urado and Muku Youji were also in the editorial group at Kubo Shoten publishers during the Nureki-years. Here are some examples from number 8 and 11 from 1961 and number 4 from 1962, including a series of poses ”without rope”, and a commercial advertisment for John Willie’s ”Sweet Gwendoline”…
Nureki Chimuo: 「縄の奴隷たち」 ”Slaves of the rope” and 「妖しい縄」”Mysterious rope”, both in the ”Night Books”-series, SM恍惚小説 (SM ecstasy novel)
Nureki devoted something like 60 years of his life to rope-related activities, using many pseudonyms. These two fictional books, both from 1969, are called ”Slaves of the rope” and ”Mysterious rope”, both published under a name Nureki used for much of his editorial work as well as when writing: Yu Fujimi (藤見郁). Paperback format, 200 pages each, mainly text but with some photos and drawings.
This white booklet is called 耽美芸術グラフ 第一集 ”Tanbi geijutsu gurafu – dai isshu” (”Aesthetic art images – first collection”) and was published in 1964. It contains both photos and sketches. According to SMpedia, it was published when the magazine Uramado was suspended. The editor is ”Yu Fujimu”, one of the pseudonyms used by Nureki, but you also see the the hands of the rest of the contributors from Uramado, such as Muku. I will dig a bit more when time allows, and return with a post about Uramado as well. As far as I understand, there was only one issue of this photo-only magazine. Shortly afterwards, the publication of ”Suspense Magazine” starts, as a successor to Uramado.
Kitan Club, special Kinbaku Photo issue, december 1970
奇譚クラブ 臨時増刊号 女体緊縛写真集
This is a special edition of Kitan Club, extra thick and printed on glossy paper, Kinbaku photos only (normally, Kitan Club would mainly be text, and only some sections of photos). Quite a few images with both extraordinary ropework, and great photography in my opinion.
A cardboard box, containing a sturdy and large-format book with a retrospect of Muku’s artwork, some in colour, mostly in black and white. It may be reasonably assumed that most of the rope-work in the images is by Nureki. The last pages show also some of Muku’s manga.
The title combines the sign ”nawa” (rope) with ”Jyo”. I am uncertain if this in any way is related to Yukimura’s expression ”Jyowa”, that recently was used by Pedro Diniz Reis for a very interesting movie about Kinbaku (see http://www.jyowa.com ).
Limited edition, 1500 numbered copies, this is number 1227.